"I liked nothing more than watching this six-foot-nine Australian man contort himsellf into a child, a louche motivational speaker and an asocial perfectionist." Plank Magazine, Vancouver.

FRESH from a celebrated Canadian Tour for an exclusive one-week Adelaide season comes a quirky, comical, heartfelt journey.

Meet Harry. He lives for routine. How will he cope when Mr. Herbert, screeching tyres and an overly positive personal coach intervene?

"You can't do that. That's not how you use LEGO"

Exquisite movement, quirky characters and one very tasty clock will make you laugh, squirm and cheer for Harry. Delight in this entertaining examination of one man's inability to deal with confrontation.

"Get your hands off me. I do not need embracing"

On this one day Harry is forced to face what he has avoided for so long, the child inside the man. When Harry Met Harry is a must see this summer, having been recently selected to tour FIVE more Canadian Festivals in 2011.  From the performer/producer of the critically acclaimed 2008 Adelaide Fringe production "The Good Thief", by Irish playwright Conor McPherson.

"Girod captivates the audience..an excellent night out." Hayley Mayne, Australian Stage.

"The play is simplly brilliant". Examiner, Winnipeg

"Go meet Harry. You'll be glad you did". CBC, Winnipeg

MEET THE ARTIST:
Informal Q and A session following matinee performances at 2pm on Wednesday 2nd and Friday 4th March.

More information at: www.flaminglocomotive.com      Media enquiries talktobigal@hotmail.com

Bakehouse Mainstage     Feb 28 to March 5 at 6pm

Matinees Wed March 2 and Friday March 4 at 2pm

Adults $22/ Concession $15/ Bank SA $18/Fringe Benefits $18/ Groups of 6 or more $17  -  BOOKINGS AT FRINGETIX 1300 374643 www.adelaidefringe.com.au

 SNIPPETS FROM REVIEWS:

'''Allan Girod, who wrote and produced this piece, is entirely convincing (in) what is a captivating and funny performance"
Cameron England - The Advertiser  (4 and a half stars)

"Allan Girod is a gifted physical comedian...........there is a sad sweetness to this production and an admirable compassion that elevates (it) above the pedestrian" - John Wells - Adelaide Theatre Guide